Moira Gibbings

Shakespeare loved to use the device of mistaken identity, and nowhere does he use this convention more skilfully than in Twelfth Night. Viola, surviving a shipwreck, walks ashore at Illyria, and immediately embarks on a gambit to allow her to make her way in a world of men. Dressed as a man, Viola, now Cesario, insinuates herself into the service of the Duke of Illyria, Orsino. Orsino longs for the love of a neighbouring countess, Olivia , who as...